Thursday, July 15, 2010

Good Press for Macbeth

Macbeth is getting lots of buzz at the Capital Fringe Festival:

--We received a five-star "Pick of the Fringe" rating from DC Theatre Scene. Reviewer Kate Mattingly singled out the three witches, calling us "creepy and conniving."

--We are an Editor's Pick on the Washington Post's Going Out Guide. Critic Rebecca J. Ritzel described the production as "clever, lightning-quick and all about taking risks."

--Finally, the Washington City Paper reports on what happened opening night. A patron was so determined to see our show, he ripped the door off of its hinges.


Only three performances left!
Redrum @ Fort Fringe, 612 L Street, NW

Thursday July 15 @ 10:30pm
Saturday July 17 @ 7pm
Sunday July 18 @ 9:30pm

Saturday, July 10, 2010

Macbeth Opens Tonight!

Macbeth opens tonight at the Capital Fringe Festival. The show is at 8pm.

The Redrum at Fort Fringe: 612 L Street NW, Washington, DC 20001

Closest metro stations: Mt. Vernon Square - Convention Center (Green/Yellow) or Chinatown - Gallery Place (Red).

Here's a sneak peak:





photos by Lee Liebeskind

Tuesday, July 6, 2010

The Actor's Ego

I was thrilled to see that the RSC had posted a link on their facebook page to an interview on the Guardian with Michael Boyd. Frankly, I'll read anything and everything about Michael Boyd. That man reached theatre god status when I saw the Histories cycle in 2008 which he directed. Plus he's brought the ensemble back to the RSC.

The interview is short, but telling. My favorite moment?

What is the biggest myth about theatre?
That it is more populated by egotists than any other profession.

Thank you Mr. Boyd! This has been a thought that's been rattling around in my head recently for a couple reasons. Mostly because I've recently watched the second season of Canadian TV show Slings and Arrows. The second season is the season in which the New Burbage Festival is performing Macbeth. So I could watch in the name of research. ;-) Anyway theatre people are dictated to love this show because it is about theatre people. Every theatre person has told another theatre person, "Oh, you must see Slings and Arrows!" But I began to feel a little annoyed with the show and its over-reliance on negative actor stereotypes. According to this show, people in the arts are all flaky, pleasure-driven egotists with no understanding of the real world. The second season is when Ellen finds herself undergoing a tax audit. Her constant insistence that "I'm just a poor actor! How can you expect me to understand taxes?!" gets a little grating.

If we are being fair, who really understands taxes anyway? And they are increasingly difficult and convoluted when you are an independent contractor. But the actors I know don't whine about them anymore than anyone else in the world, and we have to work harder to understand all the rules and regulations and how they apply to us. (On this note, I have a few friends that insist we can deduct makeup and costumes. We can't. One even says her tax preparer told her she could. He's wrong.)

But Slings and Arrows does get it right when they take on the magic of theatre, the wonder, what draws us all to it. “The theater is an empty box, and it is our task to fill it with fury, and ecstasy, and with revolution."


Are there egos in theatre? Absolutely. Divas? Yes. Difficult actors? Sure. But actors are also practical, selfless, hardworking, courageous, brave, generous, empathetic, smart, and curious. I had a guy on Facebook tell me that being an actor was my choice and since I chose that profession I didn't deserve health insurance. He was clearly under the false impression, as so many are, that actors are lazy leeches. I would challenge him to find a single day in his life where he has worked as hard as all my fellow actors in Macbeth have for the last month. This cast has thrown themselves into the challenges of this production, learning a bevy of new, demanding skills, without complaint. Capoeira, acrobatics, stage combat, physical theatre, etc. Wait until you see what we do with bamboo!

Uta Hagen wanted us to have respect for acting, and America certainly needs more of that. But how about a little respect for actors while we're at it?

Wednesday, June 30, 2010

Fringe Marketing

We are a week and a half away from the opening of the 2010 Capital Fringe Festival. So posters and postcards have appeared for my two shows. I thought I would share the images with you.



And here are some publicity photos from A Thing For Redheads, photographer Paul Oberle.




Sunday, June 6, 2010

Macbeth

This past week we've delved into rehearsals for my second Fringe project, a production of Macbeth. It is the inaugural production of PushPull Theatre Company and directed by Jessica Aimone. I cannot express how excited I am to be working on this project. First of all the director is bright, open, and has an infectious enthusiasm about the project. And what a project. This isn't your granddaddy's Macbeth! Though Macbeth is a short text (Shakespeare's shortest tragedy), our production is still substantially cut in order to fit into the time confines of a Fringe production. Furthermore this isn't just Macbeth -- it's Capoeira Macbeth!

Capoeira is a Brazilian art form that seems to be very "in" right now. It mixes dance, martial arts, and music. We are using it as our stage combat and also to inform a musical score. The idea is that we are doing theatre and we are being up front about it so why not use the more theatrical kind of fighting, capoeira, which is much more of a dance, or a game, than a fight. I've been taking classes for a couple of weeks now, and I love it. Don't get me wrong, I'm terrible at it. It's probably the hardest physical activity I've ever done. It's exhausting and it works every muscle you can think of. But it's great. And watching people who know what they are doing, well, stunning is the only word for it.

I described Jessica as being an open director. She truly is interested in what the actor thinks and wants us to be as involved as possible. She has many moments where she wants some sort of musicalization or a certain effect but has nothing set in stone. So those of us not working a scene she sends off into another room to figure it out on our own. We've only just started this process, but working this way gives us all, even those of us in smaller roles, a true sense of community and ownership of the piece. I am personally very thankful for this. I am playing the first witch, but haven't done any scene work yet because our third witch is out of town until the middle of the week. But because of Jessica's method, I still get to feel like I am contributing and doing things as rehearsal.

The cast of Macbeth includes Jeremy Brown, Courtney Weber, Sallie Willows, David Winkler, Anna Brungardt, Ryan Tumulty, Katy Carkuff, Lee Liebeskind, Tony Strowd, Austin Johnson, Carl Long, Ty Hallmark, Vince Eisenson, JB Tadena, Charlene V. Smith, Kristen Garaffo, Alex Mandell, Christina Frank, Michelle Polera. Tickets go on sale June 21.

Macbeth will be performed at Fort Fringe, 612 L Street NW, on the following dates:
Saturday July 10 @ 8pm
Sunday July 11 @ 4pm
Thursday July 15 @ 10:30pm
Saturday July 17 @ 7pm
Sunday July 18 @ 9:30pm